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From interpretation to adaptation
Balslev, Ida Kathrine ; GORIAUX PELECHOVÁ, Jitka (advisor) ; NEUMANN, Julius (referee)
The dramatic structure is like the skeleton that holds together the components and gives birth to the orchestration of the performance.This structure is essential to give the performance life.As a director in theatre it is our main tool. In defining the performance we define the dramaturgy. But what does the dramaturgy consist of and how do we get a hold of a tool, which is so driven by our intuition and how do we change it during the process? In this thesis work I will focus on how to use the dramatic principles in different works from interpretation to adaptation. I will explore how these principles function in each process and how they support the dramaturgy towards the creation of the performance.
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Dostoevsky's Double and it's film version
Bohuslav, Vojtěch ; MRAVCOVÁ, Marie (advisor) ; RYŠAVÝ, Martin (referee)
This thesis‘s primary concern is the novel ‚Double‘ by F. M. Dostoevsky and it’s film adaptation by Richard Ayoade. Firstly it focuses on the novel’s literary predecessors. The major interest of the very analysis of The Double is it‘s main figure – mr. Goljadkin. It also tries to point out the challenges of the potential adaptation. Then it attempts to grasp the fundamental ,shift‘, that the director Ayoade carried out while making the Double a movie. The last part of the Thesis contains a theme for the author’s original film version of the Double.
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F. M. DOSTOYEVSKY: THE IDIOT Costume Design
Tavelová, Helena ; VOHLÍDALOVÁ, Ivana (advisor) ; ZBOŘILOVÁ, Jana (referee)
This thesis F. M. Dostoevsky: The Idiot deals with the life of the author with an emphasis on his work, which is always current, because it concerns itself with increasingly vital topics related to human life. The thesis also deals with issues that are key to understanding Dostoevsky and his perception of the world and discusses the previous staging of the play in the Czech Republic, focusing on the work of the director Miroslav Krobot. Primarily, however, this thesis represents a detailed analysis of Dostoevsky's The Idiot and a detailed analysis of the individual dramatic characters within the play, with a focus on their internal processes and relationships, which are then expressed through costume.
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